Cast & Creative Team CAST Orfeo Sharon Carty Euridice Sarah Power Amore Emma Nash CREATIVE TEAM Conductor Peter Whelan Director Emma Martin Set Designer Sabine Dargent Costume Designer Catherine Fay Lighting Designer Stephen Dodd Irish National Opera Chorus Irish Baroque Orchestra

Radamisto was one of Handel’s most appreciated operas, not least for its famous aria “Ombra cara”, which stunned audiences and was sung in drawing rooms for decades thereafter. It tells a dramatic story of a royal family in old Armenia, locked in mortal conflict. Thematically, it champions faithfulness and married love, but it also has a fine gallery of moral depravity and intolerance. Certainly one for collectors, this is nonetheless a moving and accessible piece of music theatre for anyone…

Radamisto was one of Handel’s most appreciated operas, not least for its famous aria “Ombra cara”, which stunned audiences and was sung in drawing rooms for decades thereafter. It tells a dramatic story of a royal family in old Armenia, locked in mortal conflict. Thematically, it champions faithfulness and married love, but it also has a fine gallery of moral depravity and intolerance. Certainly one for collectors, this is nonetheless a moving and accessible piece of music theatre for anyone…

Radamisto was one of Handel’s most appreciated operas, not least for its famous aria “Ombra cara”, which stunned audiences and was sung in drawing rooms for decades thereafter. It tells a dramatic story of a royal family in old Armenia, locked in mortal conflict. Thematically, it champions faithfulness and married love, but it also has a fine gallery of moral depravity and intolerance. Certainly one for collectors, this is nonetheless a moving and accessible piece of music theatre for anyone…

Radamisto was one of Handel’s most appreciated operas, not least for its famous aria “Ombra cara”, which stunned audiences and was sung in drawing rooms for decades thereafter. It tells a dramatic story of a royal family in old Armenia, locked in mortal conflict. Thematically, it champions faithfulness and married love, but it also has a fine gallery of moral depravity and intolerance. Certainly one for collectors, this is nonetheless a moving and accessible piece of music theatre for anyone…

Radamisto was one of Handel’s most appreciated operas, not least for its famous aria “Ombra cara”, which stunned audiences and was sung in drawing rooms for decades thereafter. It tells a dramatic story of a royal family in old Armenia, locked in mortal conflict. Thematically, it champions faithfulness and married love, but it also has a fine gallery of moral depravity and intolerance. Certainly one for collectors, this is nonetheless a moving and accessible piece of music theatre for anyone…

Radamisto was one of Handel’s most appreciated operas, not least for its famous aria “Ombra cara”, which stunned audiences and was sung in drawing rooms for decades thereafter. It tells a dramatic story of a royal family in old Armenia, locked in mortal conflict. Thematically, it champions faithfulness and married love, but it also has a fine gallery of moral depravity and intolerance. Certainly one for collectors, this is nonetheless a moving and accessible piece of music theatre for anyone…

Radamisto was one of Handel’s most appreciated operas, not least for its famous aria “Ombra cara”, which stunned audiences and was sung in drawing rooms for decades thereafter. It tells a dramatic story of a royal family in old Armenia, locked in mortal conflict. Thematically, it champions faithfulness and married love, but it also has a fine gallery of moral depravity and intolerance. Certainly one for collectors, this is nonetheless a moving and accessible piece of music theatre for anyone…